Derek Tumala's 'Eyes Melted Gold': An Exploration of Climate and Colonialism

In a groundbreaking exhibition titled "Eyes Melted Gold (Natunaw na ginto ang mga mata)," artist Derek Tumala presents a hallucinatory environment at der TANK in Basel, Switzerland. This exhibition, running from June 14 to June 22, 2025, marks Tumala's first solo showcase in Switzerland and features three interconnected works that delve into themes of colonialism, climate change, and the intricate relationship between humans and nature.

Curated by Chus Martínez, the exhibition includes two video installations, *Fire Ants* (2025) and *Forever Burning* (2025), along with a series of reflective sculptures titled *Animal Apocalypse* (2025). Each piece engages with the historical context of colonialism and its lasting impact on the environment and biodiversity, particularly in the Philippines, where Tumala resides and works.

The exhibition opens with a critical perspective on the colonial legacy of invasive species, illustrated by the *Fire Ants*, which were introduced to the Philippines in the 17th century via Spanish trade. This invasive species symbolizes the enduring consequences of colonialism, as highlighted by Dr. Maria Luisa S. Magsino, Associate Professor of Environmental Studies at the University of the Philippines, who states, "The introduction of foreign species has irrevocably altered local ecosystems, serving as a reminder of colonial exploitation in the Philippines." This sentiment is echoed in Tumala's work, which uses the *Animal Apocalypse* series to explore the ongoing sixth mass extinction, emphasizing the urgency of addressing climate change.

The *Animal Apocalypse* sculptures feature endangered species, such as the Axolotl and the Tardigrade, drawing attention to the dire consequences of rising global temperatures. Dr. Benicio Reyes, a climate scientist at the Philippine Atmospheric, Geophysical and Astronomical Services Administration (PAGASA), notes, "The loss of biodiversity due to climate change is a critical issue that we must address urgently, as it threatens not only the species themselves but also human survival. Tumala's work poignantly captures this reality."

Furthermore, Tumala's artistic narrative incorporates elements of Filipino mythology, where the sun is a powerful symbol. The exhibition's title, *Eyes Melted Gold,* reflects not only the allure of gold, often associated with the greed of colonialism, but also the destructive force of the sun in the context of climate change. According to Chus Martínez, "Gold represents the ancient worlds and myths that continue to shape our present, while simultaneously serving as a reminder of the greed that propels destruction."

Historically, the exploitation of natural resources has been a hallmark of colonial practices, a theme Tumala compellingly weaves into his work. The exhibition critiques the capitalist framework that reduces nature to a mere commodity, echoing the sentiments of Dr. Eloisa M. de Guzman, a cultural historian at Ateneo de Manila University, who argues, "Art has the power to provoke critical reflection on our relationship with nature, particularly in the context of colonial histories that continue to impact our environment."

In addition to the installation's thematic depth, the exhibition also engages with the aesthetic experience, creating a sense of disorientation that reflects the hallucinatory qualities of climate anxiety. The works collectively challenge viewers to confront the realities of ecological degradation and its intertwined relationship with historical injustices.

As Tumala's exhibition unfolds, it serves as a poignant reminder of the ongoing relevance of postcolonial discourse in contemporary environmental challenges. By engaging with the past, Tumala urges audiences to reconsider their role in the present and future. In the words of Chus Martínez, "Art has the potential to transform behavior and inspire change; it can create experiences that compel us to confront the uncomfortable truths of our world."

As the exhibition progresses, it stands as a testament to the intersection of art, history, and science, prompting critical dialogues on climate change and colonial legacies. The implications of Tumala's work extend beyond the gallery walls, resonating with global conversations surrounding environmental sustainability and social justice.

In conclusion, *Eyes Melted Gold* not only highlights the artist's innovative approach to addressing pressing issues but also signifies a call to action for individuals and communities worldwide to engage with the complexities of our shared history and its impact on the environment. As audiences reflect on the exhibition, they are encouraged to consider their role in shaping a more sustainable and equitable future, where art continues to play a pivotal role in fostering awareness and inspiring change.