Exploring 'The Banished': A New Chapter in Australian Folk Horror

In the realm of contemporary cinema, 'The Banished' emerges as a significant addition to the folk-horror genre, marking its territory within the Australian cinematic landscape. Directed by Joseph Sims-Dennett, the film follows the journey of Grace, portrayed by Meg Eloise-Clarke, a city girl who returns to her rural hometown in search of her missing brother, David. Set against the backdrop of the Australian outback, this film not only delves into the themes of familial ties and personal trauma but also explores the unsettling presence of cult-like communities embedded within the wilderness.

The narrative begins as Grace embarks on a quest for answers, drawn into a web of local legends and dark family secrets. Her uncle, played by Tony Hughes, warns her against investigating the mysterious commune rumored to be attracting drifters and vagrants, a warning she heedlessly disregards. This tension sets the stage for an unnerving exploration of isolation and the psychological impact of returning to one’s roots.

According to Dr. Emily Carter, a Senior Lecturer in Film Studies at the University of Melbourne, “The Banished captures the essence of Australian folk horror by intertwining personal and cultural history with mythological elements. The film’s setting serves as a character in itself, amplifying the themes of alienation and dread.”

The film's visual aesthetics, characterized by a sharp and impatient cinematic style, accentuate the grim beauty of the outback. It juxtaposes serene landscapes with the visceral horror of Grace’s plight. Critics have noted that Sims-Dennett’s direction successfully evokes a sense of foreboding while maintaining a delicate balance between tension and narrative fluidity.

However, the film has drawn mixed reviews regarding its narrative cohesion. Phil Hoad of The Guardian notes that while the first half of the film is gripping, it struggles to maintain its momentum as it delves into more abstract storytelling. “The film attempts to go full-on phantasmagoric, but it risks losing clarity amidst its complex narrative layers,” Hoad states.

The interplay of folklore and personal trauma is not only pivotal in 'The Banished' but also reflects broader cultural narratives within Australian cinema. Dr. Sarah Johnson, an expert in Australian cultural studies at the University of Sydney, asserts, “The resurgence of folk horror in Australia speaks to a collective grappling with identity, heritage, and the often-ignored histories that haunt our landscapes.”

As the film unfolds, it becomes evident that Grace's search for her brother is not merely a physical journey but a metaphorical confrontation with her past and the disillusionment that accompanies it. The climax culminates in a confrontation with the commune’s enigmatic members, testing Grace's resolve and ultimately leading to a haunting realization about her family's legacy.

The implications of 'The Banished' extend beyond mere entertainment; it serves as a commentary on the complexities of rural life in Australia, the haunting specters of familial dysfunction, and the cultural narratives that shape national identity. As the film navigates these themes, it invites viewers to reflect on their connections to place, memory, and the darker aspects of heritage.

As 'The Banished' becomes available on digital platforms starting July 28, 2025, it promises to ignite discussions surrounding its portrayal of folk horror and its relevance in contemporary storytelling. Its contribution to the genre not only enriches the Australian film landscape but also presents an opportunity for further exploration of the intersection between horror and cultural identity in cinema.