Justin Martin on Directing 'Inter Alia': A Reflection on Modern Masculinity

In the realm of contemporary theater, Justin Martin stands out as a prominent director known for his innovative approaches and thought-provoking narratives. Following the success of 'Prima Facie', which starred Jodie Comer and garnered critical acclaim, Martin is set to debut his latest production, 'Inter Alia', at the National Theatre in London. This legal drama, penned by Suzie Miller, not only seeks to entertain but also to engage audiences in a vital conversation about masculinity and consent.

Martin's career trajectory has been nothing short of remarkable. He has collaborated with esteemed directors such as Stephen Daldry, co-directing productions like 'Stranger Things: The First Shadow' and 'Kyoto'. 'Stranger Things', in particular, has attracted a diverse audience, with approximately 60% of attendees being first-time theatergoers. As Martin notes, their reactions—loud gasps and spontaneous laughter—highlight a shift in audience engagement, making theater feel more alive than ever.

'Inter Alia', which runs from July 10 to September 13, 2025, delves into the complexities of raising boys in a society increasingly aware of issues surrounding consent and gender dynamics. The narrative centers around a high court judge, Jessica Parks, portrayed by Rosamund Pike, who grapples with both her professional responsibilities and personal dilemmas. Martin describes the play as a 'double soliloquy', reflecting on the public and private thoughts of a character navigating familial crises while confronting societal expectations.

The thematic resonance of 'Inter Alia' aligns seamlessly with contemporary discussions about masculinity, as Martin points out. He draws parallels between the play and the Netflix series 'Adolescence', emphasizing the urgent need for dialogue about how boys are raised in an era that calls for a deeper understanding of women and consent. Martin expresses that both works collectively challenge societal norms, pushing audiences to reflect on their complicity in perpetuating outdated views.

Martin’s approach to theater is characterized by a keen awareness of the cultural context surrounding his productions. He recalls how the political climate influenced the reception of 'Kyoto', which tackled environmental issues in light of the Trump administration's policies. This adaptability and responsiveness to current events underscore the importance of theater as a medium for social commentary.

With a focus on pace and rhythm, Martin believes that the delivery of dialogue is crucial in engaging audiences. His experience with 'Prima Facie', a monologue that captivated viewers with its rapid-fire delivery, has informed his directorial style. As he states, 'Pace is everything.' This philosophy will undoubtedly shape 'Inter Alia', ensuring that the audience remains captivated throughout the performance.

As Martin prepares for the premiere of 'Inter Alia', he reflects on his journey as an Australian director in London's vibrant theater scene. Despite the temptation to stage classic works, he remains committed to new narratives that resonate with contemporary audiences. With plans for a trilogy with Miller and a continued focus on urgent social issues, Martin is poised to leave a lasting impact on the theatrical landscape.

In conclusion, 'Inter Alia' is not just another legal drama; it is a significant exploration of contemporary masculinity and the societal expectations that shape it. With Justin Martin at the helm, audiences can expect a compelling blend of entertainment and critical reflection, making it a must-see production at the National Theatre and beyond.