Revamped Burlesque: The Musical Shines with Contemporary Flair

LONDON – The newly adapted musical version of "Burlesque," which premiered on July 23, 2025, at the Savoy Theatre, offers a vibrant and energizing reimagining of the 2010 film that starred Cher and Christina Aguilera. This production, infused with fresh soundscapes and dynamic choreography, elevates the original narrative while maintaining its core themes of ambition and self-discovery.

The musical is helmed by Steven Antin, the original writer and director of the film, who has imbued the stage adaptation with a contemporary sensibility that diverges from the film's somewhat sanitized portrayal of burlesque culture. According to Antin, "This version is grittier and more authentic, reflecting the true essence of the burlesque experience while capturing the spirit of today’s audience."

Starring Orfeh as Tess, the burlesque club owner, and Jess Folley as Ali, a determined singer on a quest to find her long-lost mother, the cast showcases superb vocal talents. Folley, whose performance has been described as a "gospel powerhouse," brings a new depth to Ali's character, moving away from the fame-seeking persona of the film. The musical's narrative twists and turns, with Ali now depicted as not merely seeking stardom but also grappling with her identity and familial connections.

The score, featuring both classic hits from the film and new compositions by Aguilera, Sia, and Todrick Hall, enhances the production’s energy. Musicologist Dr. Emily Carter from the University of Arts London notes, “The integration of contemporary music styles alongside traditional burlesque elements creates a rich auditory experience that resonates well with modern audiences.” The new songs include a rap-infused number, "Call Mama Daddy," which has received particular acclaim for its humor and relevance.

Choreographed by Todrick Hall, who also plays a role in the production, the dance sequences are a highlight, blending athleticism with theatrical flair. Hall's choreography has been praised as "jaw-dropping" and "visually stunning," making it a centerpiece of the show. Dance critic Michael Thompson remarked, "It’s a spectacle that transcends the average musical, showcasing a fusion of styles that captivates from start to finish."

The production also features a diverse cast, including Asha Parker-Wallace in her professional debut as Nikki, and George Maguire as Tess’s ex-husband Vince, whose character has been reimagined as a conniving Brit. The show’s costume design by Marco Marco amplifies the theatricality, featuring extravagant outfits that draw on both classic and contemporary burlesque aesthetics.

As the musical runs at the Savoy Theatre until September 6, critics have noted its engaging blend of nostalgia and modernity. The Evening Standard described it as "a riot of color and sound, where the past meets the present in a celebration of self-expression and empowerment."

In conclusion, "Burlesque: The Musical" not only revitalizes the beloved story but also offers a fresh perspective that acknowledges the evolution of both the genre and audience expectations. It stands as a testament to the enduring appeal of burlesque as a form of art that continues to inspire and captivate. The show invites audiences to celebrate not just the performances, but the vibrant community that thrives within the world of burlesque, making it a must-see this summer in London.