The Libertines Reflect on Glastonbury 2025: Nostalgia and New Beginnings

On the final day of Glastonbury 2025, indie rock icons The Libertines, co-fronted by Pete Doherty and Carl Barât, took to the iconic Pyramid stage, marking a significant return to a festival that has long been interwoven with their band’s history. During a candid conversation at the Astrolabe stage, hosted by Miranda Sawyer, the duo reflected on their experiences at Glastonbury, their journey as musicians, and their evolving relationship with each other and the music industry.

Doherty and Barât, who have been at the forefront of the UK indie scene since the early 2000s, shared personal anecdotes that highlighted their deep-rooted connection to the festival. “Glastonbury has always been part of our mythology,” Doherty remarked, recounting an emotional reunion with his sister amidst the festival chaos. Barât chimed in with his own nostalgic tale of sneaking into the festival as a youth, emphasizing how the experience shaped his musical aspirations.

Both musicians expressed a profound appreciation for the festival's enduring spirit. “It’s definitely still medieval,” said Doherty, referencing the eclectic mix of festival-goers and the vibrant atmosphere. The pair noted the festival's role as a communal gathering, with attendees striving to connect with the land and each other during tumultuous times.

The Libertines' latest album, "All Quiet on the Eastern Esplanade," reflects a shift in focus, capturing their experiences running a hotel in Margate, Kent. Barât described the stress of managing the business, likening it to a character from the classic British sitcom, "Fawlty Towers." He noted, “We’ve turned the hotel into a recording studio, giving opportunities to emerging artists to create demos.” This evolution marks a significant transition for the band, showcasing their commitment to community building and supporting new talent in the music industry.

As the conversation transitioned to the future of the music industry, the duo addressed contemporary challenges, including the impact of digital streaming on live performances and artist revenue. “It’s a different landscape now,” Barât observed, advocating for greater support for artists navigating these changes. Their banter reflected a blend of humor and sincerity, with each musician acknowledging the complexities of their past while looking toward the future.

The nostalgia of their early career was palpable as they reminisced about their 2002 debut album, "Up the Bracket," produced by Mick Jones of The Clash. Reflecting on the whirlwind of fame, Doherty humorously speculated about potential changes they might make if they could travel back in time. “I’d probably just place some bets on certain horses,” he joked, while Barât maintained a more grounded perspective, suggesting they might want to avert past catastrophes.

As Glastonbury 2025 drew to a close, the duo expressed excitement for their performance later that day, teasing a unique introduction featuring the shipping forecast to set the mood for their set. The Libertines' journey exemplifies the intertwining of personal and professional growth, and their continued relevance in the ever-changing landscape of music.

In conclusion, the Glastonbury experience remains a pivotal touchstone for The Libertines, serving as both a reminder of their past and a platform for future endeavors. As they prepare for their afternoon show, the band embodies the spirit of resilience and creativity that defines the festival, promising fans a memorable performance filled with the essence of rock and the nostalgia of their shared history.