Robert Wun Showcases Theatrical Couture at Paris Haute Couture Week

Paris, France – Renowned Hong Kong designer Robert Wun unveiled his autumn/winter 2025-2026 haute couture collection entitled "Becoming" on Wednesday, captivating audiences on the third day of Haute Couture Week at the historic Théâtre du Châtelet. This collection presents a thought-provoking exploration of the rituals associated with dressing and the significant role that fashion plays in life's pivotal moments. Wun describes his work as a "nostalgic exploration" aimed at translating the emotional journey of getting dressed into a visual narrative that resonates with the audience.

The collection features surreal and theatrical silhouettes, characterized by sculptural volumes and a cinematic presentation style. Wun elaborated on his vision, stating, "I wanted to translate the ritual of dressing into a story, from waking up on the big day to the blurred memories of the night before." The collection's dramatic opening featured a model with a bloodied mouth, adorned in a thick white dress, reminiscent of being wrapped in a duvet. This striking visual, complete with red sequinned handprints, serves as a testament to a tumultuous night.

Subsequent looks included a white coat adorned with sequins, alongside highly structured dresses with bodices that appeared to detach from the garments. A flowing violet dress further pushed the boundaries of traditional couture, featuring artificial arms that held the veil aloft. The show culminated in a breathtaking finale, showcasing a bride in a sand-colored gown with a sculpted bustier and an expansive train, emphasizing Wun's innovative approach to bridal couture.

Robert Wun, born in Hong Kong in 1991, founded his eponymous label in 2014. He gained significant acclaim after winning the ANDAM special prize in 2022 and made his debut at Haute Couture Week in January 2023. His recent collection continues to build on his reputation for avant-garde designs that challenge conventional notions of fashion.

The theatricality of Wun's presentation underscores a broader trend within haute couture, where designers increasingly embrace storytelling through their collections. According to Dr. Emily Richards, a fashion historian at the Fashion Institute of Technology, "Designers today are not just creating clothing; they are crafting narratives that resonate with the audience's emotional experiences. Wun’s latest collection is a prime example of this evolving aesthetic in high fashion."

The significance of Wun's collection extends beyond aesthetics; it reflects a deeper cultural commentary on the rituals of dressing and identity. As Wun continues to push creative boundaries, his work invites a reevaluation of how fashion interplays with personal experience and societal expectations.

In the context of the global fashion industry, Robert Wun's contributions resonate with a growing movement that prioritizes personal storytelling and emotional authenticity, marking a significant shift in how collections are conceptualized and presented. This approach may well influence future trends in haute couture and ready-to-wear sectors alike, suggesting that the intersection of fashion and narrative will continue to flourish in the years to come.