Rising Festival's Dance Program Explores Depths of Human Emotion

The Rising Festival, held in June 2025, showcased a provocative dance program that delved into profound emotional struggles, ultimately culminating in expressions of joy. The performances featured three distinct works that explored themes of mental illness, personal trauma, and the pursuit of happiness through the medium of dance.

The festival's featured artist, Marina Otero, presented her latest work, "Kill Me," which serves as the final piece in a trilogy that began with her earlier performance, "Fuck Me in Paris." According to Dr. Angela Conquet, a PhD candidate at the University of Melbourne and an expert in cultural communication, Otero's work is a raw exploration of her own life experiences, including her battles with borderline personality disorder (BPD) and the emotional turmoil following a painful breakup. "Kill Me" features a cast of dancers who also identify with BPD, presenting a spectrum of personal narratives that oscillate between humor and heartbreak.

The performance opens with five female dancers, adorned in knee-pads and vibrant wigs, who embody both strength and vulnerability as they navigate their shared experiences with mental illness. Otero’s poignant storytelling, interwoven with references to pop culture, invites the audience to reflect on their own fears and insecurities. According to Otero, this piece is not merely a performance but a reflection of the societal challenges faced by those who live with mental health issues, emphasizing the importance of artistic expression as a means of coping.

Complementing Otero's narrative is "BLKDOG," a work created by British choreographer Botis Seva. This piece draws on Winston Churchill's metaphor of the 'black dog' to represent depression. The choreography features seven hooded figures whose movements are marked by a palpable sense of dread and isolation. The work's themes resonate with many, as it depicts the struggles of mental health through the lens of contemporary dance. Seva himself has noted that the creation of this piece was deeply personal, stemming from his own experiences and the desire to address the darker aspects of human emotion.

On a contrasting note, New Zealand choreographer Oli Mathiesen presented "The Butterfly that Flew into the Rave." This performance offered a celebratory counterpoint to the heavier themes of the festival. Mathiesen and his dancers engaged the audience with their infectious joy and synchronized movements, creating an atmosphere that encouraged participation and connection. The performance was described as a vibrant exploration of joy and resilience, highlighting the power of dance to uplift and inspire.

The Rising Festival serves as a significant platform for contemporary dance, pushing boundaries and encouraging dialogue around mental health and emotional well-being. As noted by Dr. Conquet, the integration of personal narratives into performance art fosters a greater understanding of the complexities of the human experience. Through the lens of dance, these artists challenge societal norms and offer a space for healing and reflection.

In conclusion, the Rising Festival's dance program exemplifies the transformative power of art, demonstrating how creative expression can illuminate the darkest corners of human existence while simultaneously celebrating the joy that can emerge from such depths. The emotional intensity of the performances resonates deeply with audiences, inviting them to confront their own struggles and the universal quest for joy.

For those affected by mental health issues, resources are available, including Lifeline, which can be contacted at 13 11 14 for support. As the festival continues to grow, it remains a vital space for both artists and audiences to engage with the complexities of life through the powerful medium of dance.